Archive for the ‘Japanese esthetics’ Category

Life at KCP Photo-reportage series

February 19, 2010

Part Two | “Living” Japanese culture

Here’s a glimpse at some of the activities students try while at KCP.

The Japanese Tea Ceremony

tea cderemony

This is an integral part of a student’s education at KCP.  One thing it’s not hard to teach is the calm respect and attention that is surely an underlying reason for the ceremony.

tea ceremony
Students are a little overwhelmed by being bowed to, but they enjoy it immensely just the same.

“Koto” Class

Koto class

The koto (琴 or 箏), a traditional stringed instrument derived from the Chinse guzheng, is the national instrument of Japan.  A koto is made from kiri wood (Paulownia tomentosa.  Koto  have 13 strings, each with its own moveable bridge.  Players adjust the string pitches by moving these bridges before playing, and they use three finger picks (on thumb, index finger, and middle finger) to pluck the strings.

Here, students are trying out a simple melody.
For more advanced koto playing, see this YouTube clip.


Calligraphy

Calligraphy

Refining calligraphy is a regular part of KCP instruction.  Everyone’s excited at their accomplishment.  It feels a little like being an artist.

The “New” Seven Samurai

January 12, 2010

This past weekend I saw the stunning film Seven Samurai (七人の侍 Shichinin no samurai–1954), digitally remastered in high-def.  At 3½ hours, it was much longer than conventional films, but I was riveted the whole time.  It played at my local independent movie house. (For those of you in Bellingham, it’s part of a Masters of Japanese Cinema program by the Pickford and Western Washington University.

Akira Kurosawa, the director, created the basic recruitment-of-heroes film that has been a model for so many–The Magnificent Seven and Ocean’s Eleven, among others.  Even more, this film was a major forerunner of the introduction of Asian sensibilities–zen, aesthetics, food, style–to the American public.

As Patrick Crogan of SensesOfCinema says, the movie itself was “an action film that engaged the emotions and the intellect in equal and extraordinary measures.”  I’m by no means a film expert.  But I was captivated by the water-wind-fire-mud motifs, the camera shots pitting sweeping, dynamic warrior scenes against quiet close-ups.  Everybody ran everywhere, in that village!  The strong winds blowing were intensely powerful.  It was also supremely satisfying to see some character development (or revelation) in an action movie–not easy to do.  The themes are undoubtedly tied in with the Japanese peoples’ search for identity, a clear moral code, and nationalism after World War II.  Toshiro Mifune (a major character in many of Kurosawi’s films) and Takashi Shimura star.

Toshiro Mifune


It’s impossible not to be engaged by this movie.  And I was not at all prepared for the enormous role humor played in the story.  If you’re looking for some good insight into what it means to be Japanese, this movie is a champion.  It ranks among the world’s best films of all time.

Check out–

Senses of cinema

wikipedia/Seven Samurai

Criterion Films

Masters of Japanese Cinema

diving deeper into wabi-sabi

January 7, 2010

I’ve just been reading a great book on wabi-sabi (the beauty of impermanence; the impermanence of beauty).  It’s called

Wabi-Sabi for Artists, Designers, Poets & Philosophers

by Leonard Koren

Wabi Sabi for Artists, Designers, Poets & Philosophers

Click here for Leonard Koren’s website.

The book is delightful.  I especially like “the wabi-sabi universe.”  It goes like this–

Metaphysically, things are either dissembling into, or evolving from, nothingness.

Spiritually, (1) truth comes from observing nature; (2) greatness exists in the inconspicuous and overlooked; and (3) out of ugliness can come beauty.

State of Mind is to accept the inevitable and appreciate cosmic order.

Moral precepts: (1) get rid of all that is unnecessary; (2) focus on the intrinsic; and (3) ignore material hierarchy.

Material qualities include: the suggestion of natural processes, irregularity, intimacy, lack of pretension, earthiness, murkiness, and simplicity.

This feels like the real deal to me–the kind of thing I always suspected but have never seen encouraged in our self-betraying society.  This book is so worth it.  Consider buying it if you strive for a life where the real things matter.

What is wabi sabi?

November 30, 2009

Wabi sabi (侘寂) represents a comprehensive Japanese world view or aesthetic centered on the acceptance of transience. It is sometimes described as authentic beauty that is “imperfect, impermanent, and incomplete.”

Andrew Juniper claims, “If an object or expression can bring about, within us, a sense of serene melancholy and a spiritual longing, then that object could be said to be wabi-sabi.”

Wabi connotes rustic simplicity, freshness, or quietness. It can also refer to quirks and anomalies arising from the process of construction, which add uniqueness and elegance to the object. Sabi is beauty or serenity that comes with age—the life of impermanence of the object are evidenced in its patina and wear, or in any visible repairs.
wabi sabi

Wabi sabi is a kind of training. The student of wabi sabi learns to find the most simple objects—say, fading autumn leaves—interesting, fascinating, and beautiful. Wabi sabi can change our perception of our world: a chip or crack in a vase makes it more interesting, giving the object greater meditative value. Similarly materials that age such as bare wood, paper, and fabric become more interesting as they change over time.

For more, see the Wikipedia entry on wabi sabi.  Consider reading some of the books listed, especially Wabi Sabi for Artists, Poets, and Philosophers, by Loenard Koren.  It’s a profound consolation in this world of instant fashion, meaningless communication, and planned obsolescence.